Wim Wenders
Wim Wenders | |
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![]() Wenders in 2024 | |
Born | Ernst Wilhelm Wenders 14 August 1945 Düsseldorf, Germany |
Occupation(s) | Film director, screenwriter, producer, photographer, author |
Years active | 1967–present |
Spouses | Edda Köchl
(m. 1968; div. 1974)Donata Wenders
(m. 1993) |
Awards | Full list |
Website | www.wim-wenders.com |
Ernst Wilhelm "Wim" Wenders (German: [ˈvɪm ˈvɛndɐs]; born 14 August 1945) is a German filmmaker and author, who is a major figure in New German Cinema.[1] Among the honors he has received are prizes from the Cannes, Venice, and Berlin film festivals. He has also received a BAFTA Award and been nominated for three Academy Awards and a Grammy Award.
Wenders made his feature film debut with Summer in the City (1970). He earned critical acclaim for directing the films Alice in the Cities (1974), The Wrong Move (1975), and Kings of the Road (1976), later known as the Road Movie trilogy. Wenders won the BAFTA Award for Best Direction and the Palme d'Or for Paris, Texas (1984) and the Cannes Film Festival Best Director Award for Wings of Desire (1987). His other notable films include The American Friend (1977), Faraway, So Close! (1993), and Perfect Days (2023).[2][3]
Wenders has received three nominations for the Academy Award for Best Documentary Feature: for Buena Vista Social Club (1999), Pina (2011), and The Salt of the Earth (2014). He received a nomination for the Grammy Award for Best Long Form Music Video for Willie Nelson at the Teatro (1998). He is also known for directing the documentaries Tokyo-Ga (1985), The Soul of a Man (2003), Pope Francis: A Man of His Word (2018), and Anselm (2023).
Wenders formerly served as the president of the European Film Academy from 1996–2020. He also earned an Honorary Golden Bear in 2015. He is an active photographer, emphasizing images of desolate landscapes.[4][5] He is considered an auteur director.[6]
Early life and education
[edit]Wenders was born in Düsseldorf into a traditionally Catholic family. His father, Heinrich Wenders, was a surgeon. The Dutch name "Wim" is a shortened version of the baptismal name "Wilhelm". As a boy, Wenders took unaccompanied trips to Amsterdam to visit the Rijksmuseum. He graduated from high school in Oberhausen in the Ruhr area. He then studied medicine at the University of Freiburg (1963–64) and philosophy at the University of Dusseldorf (1964–65), but dropped out and moved to Paris in October 1966 in order to become a painter.[7] He failed his entry test at France's national film school, IDHEC (now La Fémis), and instead became an engraver at Johnny Friedlaender's studio in Montparnasse.[7] During this time he became fascinated with cinema, and saw up to five movies a day at the local movie theater.
Set on making his obsession his life's work, he returned to Germany in 1967 to work in the Düsseldorf office of United Artists. That fall, he entered the University of Television and Film Munich (HFF).[7] Between 1967 and 1970, while at the HFF, he also worked as a film critic for FilmKritik, the Munich daily newspaper Süddeutsche Zeitung, Twen magazine, and Der Spiegel.[7]
Wenders completed several short films before graduating from the Hochschule with a 16mm black-and-white film, Summer in the City (1970), his feature directorial debut.
Career
[edit]1970–1976: Film debut and early work
[edit]Wenders's career began in the late 1960s, the New German Cinema era.[8] Much of the distinctive cinematography in his movies is the result of a long-term collaboration with Dutch cinematographer Robby Müller.[9][10][11][12][13][14][15][16][17][18][19] Wenders made his directorial film debut with Summer in the City (1970), his graduation project at the University of Television and Film Munich, which he attended from 1967 to 1970. Shot in 16 mm black-and-white by longtime Wenders collaborator Robby Müller, the movie exhibited many of Wenders's later trademark themes of aimless searching, running from invisible demons, and persistent wandering toward an indeterminate goal. Protagonist Hans (Zischler) is released from prison, and after searching through seedy West German streets and bars, he visits an old friend in Berlin.
Wenders then directed The Goalkeeper's Fear of the Penalty, titled The Goalie's Anxiety at the Penalty Kick in the United States. The film was adapted from Peter Handke's 1970 short novel. He then directed the period drama The Scarlet Letter (1973), adapted from Nathaniel Hawthorne's 1850 novel of the same name. From 1974 to 1976 Wender directed the Road Movie trilogy. The first film in the trilogy was Alice in the Cities (1974), which was shot in 16mm. The last two films are The Wrong Move (1975) and Kings of the Road (1976), the latter of which won the FIPRESCI Prize at the 1976 Cannes Film Festival.
1977–1987: Breakthrough and acclaim
[edit]![](http://upload.wikimedia.org/wikipedia/commons/thumb/8/8f/Carrie_Fisher_and_Wim_Wenders.jpg/220px-Carrie_Fisher_and_Wim_Wenders.jpg)
In 1977 Wender gained prominence for directing the neo-noir The American Friend, starring Dennis Hopper and Bruno Ganz. The film is adapted from the Patricia Highsmith 1974 novel Ripley's Game. J. Hoberman of The New York Times has compared the film to Martin Scorsese's Taxi Driver, writing, "Like Taxi Driver, The American Friend was a new sort of movie-movie—sleekly brooding, voluptuously alienated and saturated with cinephilia."[20]
Wenders earned critical acclaim for his road drama Paris, Texas (1984), starring Harry Dean Stanton, Nastassja Kinski and Dean Stockwell. The film premiered at the 1984 Cannes Film Festival, where it won the Palme d'Or. Critic Roger Ebert wrote of the film, "[it's] a movie with the kind of passion and willingness to experiment that was more common fifteen years ago than it is now. It has more links with films like Five Easy Pieces and Easy Rider and Midnight Cowboy than with the slick arcade games that are the box-office winners of the 1980s. It is true, deep, and brilliant".[21]
Wenders then directed the romance fantasy Wings of Desire (1987), starring Bruno Ganz and Peter Falk. It premiered at the 1987 Cannes Film Festival, where Wenders won the Cannes Film Festival Award for Best Director. Peter Handke co-wrote the screenplay. West Germany submitted Wings of Desire for consideration for the Academy Award for Best Foreign Language Film, a bid supported by its distribution company. It was not nominated; the academy seldom recognized West German cinema.[22] The film was one of the most acclaimed films of the year, with many critics adding it on their top 10 lists.
1991–2010: Career fluctuations
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In 1991 Wenders directed the science fiction adventure drama Until the End of the World, starring William Hurt, Solveig Dommartin, Max Von Sydow and Jeanne Moreau. The film has been released in several editions, ranging in length from 158 to 287 minutes, with the longer versions receiving mixed reviews. In 1993 he directed Faraway, So Close!, a sequel to Wings of Desire. Actors Otto Sander, Bruno Ganz and Peter Falk reprised their roles as angels who have become human. The film also stars Nastassja Kinski, Willem Dafoe and Heinz Rühmann, in his last film role. It received critical acclaim, premiering at the 1993 Cannes Film Festival, where it earned the Grand Prix. The next year, he directed Lisbon Story, which screened at Un Certain Regard at the 1994 Cannes Film Festival. In 1995 he directed both A Trick of Light and the anthology film Lumière and Company.
In 1997, Wenders directed the American drama film The End of Violence, starring Bill Pullman, Andie MacDowell, and Gabriel Byrne. The film received negative reviews and performed poorly at the box office after its debut at the 1997 Cannes Film Festival. Like many other of Wenders's American movies, it was shot in multiple locations, including the Griffith Observatory and the Santa Monica Pier. Wenders has directed several highly acclaimed documentaries, including Willie Nelson at the Teatro, a documentary about the recording sessions of Teatro (1998). The next year he directed Buena Vista Social Club, about the music of Cuba. It was nominated for the Academy Award for Best Documentary Feature. In 2002, he directed a documentary about the German rock group BAP called Vill passiert (A lot has happened).
2011–present: Resurgence with documentaries
[edit]![](http://upload.wikimedia.org/wikipedia/commons/thumb/3/3b/Wim_wenders.jpg/220px-Wim_wenders.jpg)
Wenders has directed music videos for groups such as U2 and Talking Heads, including "Stay (Faraway, So Close!)" and "Sax and Violins".[citation needed] His television commercials include a UK advertisement for Carling Premier Canadian beer.[citation needed] Wenders's book Emotion Pictures, a collection of diary essays written as a film student, was adapted and broadcast as a series of plays on BBC Radio 3, featuring Peter Capaldi as Wenders, with Gina McKee, Saskia Reeves, Dennis Hopper, Harry Dean Stanton and Ricky Tomlinson, dramatized by Neil Cargill.
Wenders also directed a documentary-style film on the Skladanowsky brothers, known in English as A Trick of the Light.[23] The Skladanowsky brothers were inventing "moving pictures" when several others like the Lumière brothers and William Friese-Greene were doing the same. In 2011, Wenders was selected to stage the 2013 cycle of Richard Wagner's Der Ring des Nibelungen at the Bayreuth Festival.[24][25] The project fell through when he insisted on filming in 3-D, which the Wagner family found too costly and disruptive.[26] In 2012, while promoting his 3-D dance film Pina, Wenders told the Documentary channel blog that he had begun work on a new 3-D documentary about architecture.[27] He also said he would only work in 3-D from then on.[28] Wenders had admired the dance choreographer Pina Bausch since 1985, but only with the advent of digital 3-D cinema did he decide that he could sufficiently capture her work on screen.[29]
In 2015, Wenders collaborated with artist/journalist and longtime friend Melinda Camber Porter on a documentary feature about his body of work, Wim Wenders – Visions on Film. Porter died before it was finished, and the film remains incomplete.[30][31] Wenders is a member of the advisory board of World Cinema Foundation. The project was founded by Martin Scorsese and aims to find and reconstruct world cinema films that have been neglected. As of 2015 he served as a Jury Member for the digital studio Filmaka, a platform for undiscovered filmmakers to show their work to industry professionals.[32]
In June 2017, Wenders stage-directed Georges Bizet's opera Les Pêcheurs de perles, starring Olga Peretyatko and Francesco Demuro and conducted by Daniel Barenboim at the Berlin State Opera (Staatsoper). In a 2018 interview, he said his favorite movie of all time was his film about Pope Francis, and that his entire career had been building up to it. His admiration for Francis is profound; he said he felt Francis is doing his best in a world full of calamities. He also said that, though raised Catholic, he had converted to Protestantism years earlier.[33]
In 2019 Wenders acted as executive producer for his former assistant director Luca Lucchesi's documentary A Black Jesus, which has similar themes to Pope Francis: A Man of His Word. The film explores the role of religion in communal identity and how this can create or dissolve differences in a small Sicilian town during the height of the refugee crisis.[34] Lucchesi noted that Wenders pushed the film to be more symbolic and philosophical, saying that Wenders wanted the film to have a "universal fairy-tale aspect" and to represent "Europe in a nutshell".[35]
Photography
[edit]Wenders has worked with photographic images of desolate landscapes and themes of memory, time, loss, nostalgia and movement.[4][5] He began his long-running project "Pictures from the Surface of the Earth" in the early 1980s and pursued it for 20 years. The initial photographic series was titled "Written in the West" and was produced while Wenders criss-crossed the American West in preparation for his film Paris, Texas (1984).[7] It became the starting point for a nomadic journey across the globe, including Germany, Australia, Cuba, Israel and Japan, to take photographs capturing the essence of a moment, place or space.[36]
Personal life
[edit]Wenders lives and works in Berlin with his wife, Donata.[7] He has lived in Berlin since the mid-1970s.[37] He is an ecumenical Christian; as a teenager he wished to become a Catholic priest.[38] He supports German football club Borussia Dortmund.[39]
In 2009, Wenders signed a petition in support of director Roman Polanski, who had been detained while traveling to a film festival in relation to his 1977 sexual abuse charges, which the petition argued would undermine the tradition of film festivals as a place for works to be shown "freely and safely" and argued that arresting filmmakers traveling to neutral countries could open the door to "actions of which no-one can know the effects."[40][41]
From 1979 to 1981, Wenders was married to the American actress and singer-songwriter Ronee Blakely.
Filmography
[edit]Films
[edit]Feature Films
Year | Title | Director | Writer | Producer |
---|---|---|---|---|
1970 | Summer in the City | Yes | Yes | Yes |
1972 | The Goalkeeper's Fear of the Penalty | Yes | Yes | Yes |
1973 | The Scarlet Letter | Yes | Yes | Yes |
1974 | Alice in the Cities | Yes | Yes | Yes |
1975 | The Wrong Move | Yes | No | Uncredited |
1976 | Kings of the Road | Yes | Yes | Yes |
1977 | The American Friend | Yes | Yes | Yes |
1982 | Hammett | Yes | No | No |
The State of Things | Yes | Yes | Yes | |
1984 | Paris, Texas | Yes | No | No |
1987 | Wings of Desire | Yes | Yes | Yes |
1991 | Until the End of the World | Yes | Yes | Co-producer |
1993 | Faraway, So Close! | Yes | Yes | Yes |
1994 | Lisbon Story | Yes | Yes | Yes |
1995 | Beyond the Clouds | Partial [a] | Yes | No |
1997 | The End of Violence | Yes | Yes | Yes |
2000 | The Million Dollar Hotel | Yes | No | Yes |
2004 | Land of Plenty | Yes | Yes | No |
2005 | Don't Come Knocking | Yes | Yes | Executive (uncredited) |
2008 | Palermo Shooting | Yes | Yes | Yes |
2015 | Every Thing Will Be Fine | Yes | No | No |
2016 | The Beautiful Days of Aranjuez | Yes | Yes | No |
2017 | Submergence | Yes | No | No |
2023 | Perfect Days | Yes | Yes | Yes |
Short Films
Year | Title | Director | Writer | Producer | Notes |
---|---|---|---|---|---|
1967 | Scenary' | Yes | Yes | Yes | Also cinematographer and editor |
1968 | Same Player Shoots Again | Yes | Yes | Yes | |
Blurb Film | Yes | No | No | Co-directed with Gerhard Theuring | |
Victor I. | Yes | No | No | ||
1969 | Alabama (2000 Light Years) | Yes | Yes | No | Also editor and sound |
1992 | Arisha, the Bear, and the Stone Ring | Yes | Yes | Yes | |
1995 | Segment 38 | Yes | No | No | Segment of the Anthology film Lumière et compagnie |
2002 | Twelve Miles to Trona | Yes | Yes | No | Segment from Ten Minutes Older: The Trumpet |
2003 | Other Side of the Road | Yes | No | No | |
2007 | War in Peace | Yes | Yes | No | Segment of To Each His Own Cinema |
2008 | Person to Person | Yes | Yes | No | Segment of 8 |
2012 | Ver ou Não Ver | Yes | Yes | No | Segment of Mundo Invisível |
2010 | If Buildings Could Talk | Yes | Yes | No | |
2015 | Two or Three Thoughts on Edward Hopper | Yes | Yes | Yes | Also executive producer |
2019 | (E)motion | Yes | Yes | Yes |
Documentaries
[edit]Feature Films
Year | Title | Director | Writer | Producer | Notes |
---|---|---|---|---|---|
1980 | Lightning Over Water | Yes | Yes | Yes | Documentary co-directed by Nicholas Ray Also editor |
1985 | Tokyo-Ga | Yes | Yes | Yes | Also editor and narrator |
1989 | Notebook on Cities and Clothes | Yes | Yes | Yes | Also cinematographer and narrator |
1995 | A Trick of Light | Yes | Yes | Yes | |
1998 | Willie Nelson at the Teatro | Yes | Yes | No | |
1999 | Buena Vista Social Club | Yes | Yes | No | |
2002 | Ode to Cologne: A Rock 'N' Roll Film | Yes | Yes | No | |
2003 | The Soul of a Man | Yes | Yes | No | |
2011 | Pina | Yes | Yes | Yes | [42] |
2014 | The Salt of the Earth | Yes | Yes | Executive | Co-directed with Juliano Ribeiro Salgado |
2018 | Pope Francis: A Man of His Word | Yes | Yes | Yes | |
2023 | Anselm | Yes | No | Yes | [43][44] |
Short Films
Year | Title | Director | Writer | Producer | Notes |
---|---|---|---|---|---|
1969 | Silver City Revisited | Yes | Yes | Yes | Also cinematographer and editor |
1982 | Reverse Angle | Yes | Yes | Yes | |
2007 | Invisible Crimes | Yes | Yes | No | Documentary segment of Invisibles |
2010 | If Buildings Could Talk | Yes | Yes | No | Short documentary |
Il volo | Yes | Yes | No | Short documentary [45] | |
2014 | The Berlin Philharmonic | Yes | Yes | No | Segment of Cathedrals of Culture[46] |
2022 | Présence | Yes | Yes | Executive | Documentary short |
2023 | Somebody Comes Into the Light | Yes | No | Yes |
Television
[edit]Year | Title | Director | Writer | Producer | Notes |
---|---|---|---|---|---|
1969 | Police Film | Yes | Yes | Yes | TV short Also cinematographer and editor |
3 Americans LPS | Yes | No | No | TV short Also editor | |
Kaspar Hauser | Yes | No | No | Documentary | |
1977 | A House for Us | Yes | No | No | Documentary series; directed 2 episodes |
1982 | Room 666 | Yes | Yes | Yes | Documentary |
2020 | 4 Walls Berlin | Yes | Yes | No | Documentary series; episode: "Change" |
Music videos
[edit]Year | English title | Musicians |
---|---|---|
1990 | "Night and Day" | U2 |
1992 | "Sax and Violins" | Talking Heads |
1993 | "Stay (Faraway, So Close!)" | U2 |
1997 | "Every Time I Try" | Spain[citation needed] |
2000 | "The Ground Beneath Her Feet" | U2 |
"Warum werde ich nicht satt?" | Die Toten Hosen | |
2001 | "Souljacker Part I" | Eels |
2002 | "Live in a Hiding Place" | Idlewild[47] |
2009 | "Auflösen" | Die Toten Hosen |
2020 | "Anagnorisis" | Asaf Avidan |
Commercials
[edit]Year | Title | Director | Writer | Subject |
---|---|---|---|---|
2000 | "Un matin partout dans le monde" | Yes | Yes | JCDecaux |
2009 | "My Point of View" | Yes | Yes | Leica[48] |
2017–2018 | Jil Sander: Spring/Summer 2018 | Yes | Yes | Jil Sander[49] |
2021 | A Future Together | Yes | No | Salvatore Frengasso |
Other film work
[edit]Year | Title | Notes |
---|---|---|
1977[citation needed] | The Left-Handed Woman | producer |
1979 | Radio On | associate producer |
...als diesel geboren | producer[50] | |
1987 | Iron Earth, Copper Sky | |
1992 | The Absence | co-producer |
1997 | Go for Gold! | producer[51][52][53][54] |
2002 | Half the Rent | |
Junimond | ||
2003 | Fools | |
2004 | "La torcedura" | executive producer |
Egoshooter | producer | |
Música cubana | executive producer[55][56] | |
2006 | The House Is Burning | |
2008 | The Clone Returns Home | |
2009 | The Open Road | |
2010 | Au Revoir, Taipei | |
2012 | Sing Me the Songs That Say I Love You: A Concert for Kate McGarrigle | |
2015 | Our Last Tango | executive producer[57] |
2016 | National Bird | |
2017 | "Little Hands" | executive producer[58][59] |
2018 | It Must Schwing: The Blue Note Story | |
Waiting for the Miracle to Come | ||
2020 | A Black Jesus | producer[60] |
Karen Dalton: In My Own Time | executive producer | |
2021 | United States vs. Reality Winner | |
Souad | co-producer | |
2023 | An Endless Sunday | producer[61] |
Legacy and honors
[edit]Wenders has been awarded honorary doctorates by the Sorbonne in Paris in 1989, the University of Fribourg (Switzerland) in 1995, and the Université Catholique de Louvain, Belgium, in 2005. The Wim Wenders Foundation was established in Düsseldorf in 2012. It provides a framework to bring together his cinematic, photographic, artistic and literary works in his native country and make them permanently accessible to the public.[94] In 2016, he received the Großer Kulturpreis of the Sparkassen Culture-Foundation Rhineland.[95]
Exhibitions
[edit]![]() | This section of a biography of a living person does not include any references or sources. (July 2020) |
1986–1992
- Written in the West, in conjunction with the publication, Written in the West, Munich: Schirmer/Mosel (1987)[96]
1993–1995
- Wim Wenders Photo Exhibition, in conjunction with the publication, Once, Munich: Schirmer/ Mosel (2001)[96]
2004
- Pictures from the Surface of the Earth, Australia and Japan, James Cohan Gallery, New York[97]
- Between The Lines, group exhibition, James Cohan Gallery, New York[98]
2006
- Wim Wenders: Immagini dal pianeta terra, Scuderie del Quirinale, Rome, Italy[99][100]
- Journey to Onomichi – Photos by Wim and Donata Wenders,[101] Omotesando Hills, Tokyo, Japan[102]
2011
- Places, strange and quiet, Haunch of Venison, London, UK[103]
2012
- Places Strange and Quiet, Ostlicht. Galerie Für Fotografie, Vienna, AT[104]
- Places, strange and quiet, Harald Falckenberg Exhibition Space, Deichtorhallen, Hamburg, DE[105]
- Wim Wenders: Pictures from the Surface of the Earth,[106] Multimedia Art Museum, Moscow, RU
2014
- Wim Wenders: Places Strange & Quiet, GL Strand, Copenhagen, DK
- Wim Wenders: Urban Solitude, Palazzo Incontro, Rome, IT[107]
2015
- Wim Wenders: America, Villa e collezione la Panza, Varese, IT[108]
- "In broad daylight even the sounds shine. Wim Wenders scouting in Portugal", curated by Anna Duque y González and Laura Schmidt Reservatório da Mãe d'Água das Amoreiras, Lisbon[109]
2016
- "The Space Between the Characters Can Carry the Load", Collection Ivo Wessel, Weserburg Museum for modern Art, Bremen, DE
2017/2018
- "Instant Stories/Wim Wenders' Polaroids", The Photographers' Gallery, London, from 20 October 2017 to 11 February 2018.[110]
Installation art
2019
2020
- Two or Three Things I Know About Edward Hopper[112]
2022
- Presence[113]
Bibliography
[edit]- Lindbergh, Peter; Wenders, Wim (2002), Peter Lindbergh: stories, Santa Fe: Arena Editions, ISBN 978-1-892041-64-7
- Shepard, Sam; Wenders, Wim (1991), Paris, Texas: Screenplay, New York: Ecco Press, ISBN 978-0-88001-266-9
- Steinhilber, Berthold; Wenders, Wim (2003), Ghost towns of the American West, New York: Harry N. Abrams, Inc., ISBN 978-0-8109-4508-1
- Wenders, Wim (1986), Emotion pictures: Essays und Filmkritiken, 1968–1984, Frankfurt: Verlag der Autoren, ISBN 978-3-88661-078-5
- Wenders, Wim (1989), Emotion pictures: reflections on cinema, London: Faber and Faber, ISBN 978-0-571-15271-1
- Wenders, Wim (2001), Once: pictures and stories, New York: DAP/Schirmer/Mosel, ISBN 978-1-891024-25-2
- Wenders, Wim (1984), Paris, Texas, Nördlingen: Greno, ISBN 978-3-921568-11-8
- Wenders, Wim (2001), Written in the West, New York: teNeues, ISBN 978-3-8238-5469-2
- Wenders, Wim; Handke, Peter (1998), Der Himmel über Berlin: Ein Filmbuch von Wim Wenders und Peter Handke (in German), Berlin: Suhrkamp Verlag, ISBN 978-3-518-02406-5
- Wenders, Wim; Hofmann, Michael (1992), The logic of images: essays and conversations, London: Faber and Faber, ISBN 978-0-571-16517-9
- Wenders, Wim (1997), The Act of Seeing:Essays and Conversations, London: Faber and Faber, ISBN 978-0-571178-43-8
- Wenders, Wim; Hofmann, Michael (2000), My time with Antonioni: the diary of an extraordinary experience, London: Faber and Faber, ISBN 978-0-571-20076-4
- Wenders, Wim; Hofmann, Michael (2001), On film: essays and conversations, London: Faber and Faber, ISBN 978-0-571-20718-3
- Wenders, Wim; Tawada, Yoko (2007), Where Europe begins, New York: New Directions Publishers, ISBN 978-0-8112-1702-6
- Wenders, Wim; Wenders, Donata (2000), The heart is a sleeping Beauty: the Million Dollar Hotel - a film book, New York: teNeues, ISBN 978-3-8238-5468-5
- Wenders, Wim; Zournazi, Mary (2013), Inventing Peace: A Dialogue on Perception, London: I.B.Tauris, ISBN 978-1-78076-693-5
See also
[edit]Notes
[edit]- ^ Director of the prologue, intermissions & epilogue
References
[edit]- ^ Kürten, Jochen (8 July 2013). "The eclectic filmmaker: Wim Wenders at 75". Deutsche Welle. Retrieved 1 February 2021.
- ^ Boyero, Carlos (13 January 2024). "'Perfect Days': so alone and so happy". EL PAÍS English. Retrieved 15 January 2024.
- ^ Schilling, Mark (4 January 2024). "Wim Wenders' 'Perfect Days' finds beauty in small pleasures". The Japan Times. Retrieved 15 January 2024.
- ^ a b Wenders, Wim (22 April 2011). "Wim Wenders: Places, Strange And Quiet – in pictures | Art and design". The Guardian. Retrieved 17 March 2015.
- ^ a b Art Photography. "Wim Wenders: Show, don't tell". The Daily Telegraph. Archived from the original on 12 January 2022. Retrieved 17 March 2015.
- ^ Lehrer, Adam. "MoMA Celebrates Auteur Director Wim Wenders With Retrospective". Forbes. Retrieved 23 June 2017.
- ^ a b c d e f "Wim Wenders". polkagalerie.com. Retrieved 21 July 2020.
- ^ Dollar, Steve (29 November 2023). "Wim Wenders' new films explore the 'poetic medium' of 3-D and Tokyo toilets". Los Angeles Times. Retrieved 15 January 2024.
- ^ "A Robby Müller Retrospective". The Criterion Collection. Retrieved 1 February 2021.
- ^ "Master of Light – Robby Müller". Eye. 24 December 2015. Retrieved 1 February 2021.
- ^ Fox, Killian (22 June 2019). "The private Polaroids of a celebrated cinematographer". The Guardian. ISSN 0261-3077. Retrieved 1 February 2021.
- ^ Wenders, Wim. "The maestro of light". iguzzini.
- ^ AnOther (24 June 2019). "The Little-Known Polaroids of Paris, Texas Cinematographer Robby Müller". AnOther. Retrieved 1 February 2021.
- ^ "Unseen Polaroids by Robby Müller: the legendary cinematographer and Wim Wenders collaborator". HERO magazine. Retrieved 1 February 2021.
- ^ "Wim Wenders Pays Tribute to 'Paris, Texas' Cinematographer Robby Muller". The Hollywood Reporter. 5 July 2018. Retrieved 1 February 2021.
- ^ "Robby Müller's unseen polaroids | 1854 Photography". www.1854.photography. Retrieved 1 February 2021.
- ^ "Remembering Robby Müller, NSC, BVK – The American Society of Cinematographers". ascmag.com. Retrieved 1 February 2021.
- ^ Tartaglione, Nancy (4 July 2018). "Robby Müller Dies: Cinematographer Of Classics From Wenders, Jarmusch, Von Trier Was 78". Deadline. Retrieved 1 February 2021.
- ^ "The extraordinary Polaroids taken by legendary cinematographer Robby Müller". Far Out Magazine. 4 April 2020. Retrieved 1 February 2021.
- ^ "Wim Wenders's High Plains Grifter". The New York Times. Retrieved 24 September 2023.
- ^ Ebert, Roger (1 January 1984). "Paris, Texas". RogerEbert.com. Archived from the original on 9 July 2014. Retrieved 6 July 2017.
- ^ Dickinson, Robert. "The Unbearable Weight of Winning: Garci's Trilogy of Melancholy and the Foreign Language Oscar" (PDF). Spectator. p. 13. Archived (PDF) from the original on 26 November 2010. Retrieved 2 July 2017 – via University of Southern California.
- ^ A Trick of the Light at IMDb
- ^ "German Information Centre South Asia | Facebook". German-info.com. 8 March 2015. Retrieved 17 March 2015.
- ^ [1] Archived 3 December 2013 at the Wayback Machine
- ^ [2] Archived 3 December 2013 at the Wayback Machine
- ^ [3] Archived 5 December 2012 at the Wayback Machine
- ^ "It's 3D or Bust for 'Pina' Director Wim Wenders – Speakeasy – WSJ". The Wall Street Journal. 23 December 2011. Retrieved 17 March 2015.
- ^ "Wim Wenders On 'Pina': A Dance Documentary in 3-D". NPR. Retrieved 24 January 2018.
- ^ "Wim Wenders Film Festival". www.wimwendersfilmfestival.com. Archived from the original on 22 December 2015.
- ^ "Wim Wenders keeps looking for new canvases". Los Angeles Times. 12 March 2015. Retrieved 15 January 2024.
- ^ "Profile Jury". Filmaka.com. 14 August 1945. Archived from the original on 10 July 2009. Retrieved 17 March 2015.
- ^ Amanpour, Christiane (host) (23 May 2018). "Amanpour: Joseph Yun and Wim Wenders". Amanpour on PBS. PBS.
- ^ "ROAD MOVIES | A BLACK JESUS". roadmovies.com. Retrieved 9 October 2020.
- ^ Cunningham, Nick (23 June 2020). "Cannes Marché: Tale of A Black Jesus – Business Doc Europe". Retrieved 9 October 2020.
- ^ Rose, Barbara (1 January 2004). "Wim Wenders: Pictures From the Surface of the Earth". The Brooklyn Rail. Retrieved 17 March 2015.
- ^ Michael, Chris (23 September 2014). "Wim Wenders on his Berlin: 'Oh man, has it ever changed!'". The Guardian. ISSN 0261-3077. Retrieved 9 November 2019.
- ^ Burger, John (17 May 2018). "Exclusive interview: Wim Wenders discusses the Catholic influences on his film about Pope Francis". Aleteia. Aleteia SAS. Retrieved 13 December 2019.
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Further reading
[edit]- "Rede: Abendessen zu Ehren von Wim Wenders". Der Bundespräsident (in German). 22 September 2022. Retrieved 1 December 2022.
External links
[edit]![](http://upload.wikimedia.org/wikipedia/en/thumb/4/4a/Commons-logo.svg/30px-Commons-logo.svg.png)
- Official website
- Wim Wenders at Curlie
- Wim Wenders at IMDb
- Senses of Cinema: Great Directors Critical Database
- filmportal.de including biography, filmography and photos
- Wim Wenders at The Guardian
- Wim Wenders
- 1945 births
- Best Director BAFTA Award winners
- Best Director German Film Award winners
- Buena Vista Social Club
- Cannes Film Festival Award for Best Director winners
- Commandeurs of the Ordre des Arts et des Lettres
- Directors of Palme d'Or winners
- Directors of Golden Lion winners
- English-language film directors
- European Film Award for Best Director winners
- German Christians
- German expatriates in the United States
- Film people from Düsseldorf
- German film directors
- German music video directors
- Photographers from North Rhine-Westphalia
- German theatre directors
- 20th-century German photographers
- 21st-century German photographers
- 20th-century German male writers
- 21st-century German male writers
- Honorary Golden Bear recipients
- Knights Commander of the Order of Merit of the Federal Republic of Germany
- Kristián Award winners
- Living people
- Members of the Order of Merit of North Rhine-Westphalia
- Recipients of the Order of Merit of Berlin
- Recipients of the Pour le Mérite (civil class)
- University of Television and Film Munich alumni
- Postmodernist filmmakers