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Mangbetu people

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Mangbetu people
Mangbetu
Mangbetu woman, [1928-1938], photo by Kazimierz Zagórski
Total population
1,807,000[1]
Regions with significant populations
Democratic Republic of the Congo
Languages
Mangbetu language
Religion
Christianity
Related ethnic groups
Other Central Sudanic peoples

The Mangbetu are a Central Sudanic ethnic group in the Democratic Republic of the Congo, living in the northeastern province of Haut-Uele.

Culture

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Mangbetu harp. See: African harp.

The Mangbetu are known for their highly developed art and music. One instrument associated with and named after them is the Mangbetu harp or guitar. See the National Music Museum and the Hamill Gallery for images. One harp has sold for over $100,000.[2]

Musicologists have also sought out the Mangbetu to make video and audio recordings of their music.[3]

The Mangbetu stood out to European colonists because of their elongated heads. Traditionally, babies' heads were wrapped tightly with cloth in order to give them this distinctive appearance. The practice, called Lipombo, began dying out in the 1950s with the arrival of more Europeans and westernization. Because of this distinctive look, it is easy to recognize Mangbetu figures in African art.[citation needed]

Mangbetu dancers, photo by Kazimierz Zagórski

History

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The Mangbetu originally came from South Sudan and migrated south to their current location in CE 1000. When they arrived into their current location with its new climate and environment (which was different from the much drier lands in south Sudan) they came to be so heavily indebted to Bantu teachers that they borrowed almost their whole vocabulary relating to their new habitat from Bantu languages.[4]

By the early 18th century the Mangbetu had consisted of a number of small clans who, from southward migrations, had come in contact with a number of northward-migrating Bantu-speaking tribes among whom they lived interspersed. In the late 18th century a group of Mangbetu-speaking elites, mainly from the Mabiti clan, assumed control over other Mangbetu clans and unified them into a kingdom. It is likely that their knowledge of iron and copper forging, by which they made weapons and fine ornaments, gave them a military and economic advantage over their neighbors.[5]

After the unification of Mangbetu clans, King Nabiembali began expanding Mangbetu influence in the early 19th century into other tribes, namely the Madi, Bangba, Mayogo, Mayvu, Makango, and Barambo. Nabiembali legitimized his conquests by marrying many local wives of these peoples, allowing his sons to be accepted as rulers among their mothers' peoples. However, because his sons sought to extend their own power and influence of their maternal clans they ruled, they became resistant to Nabiembali, and in 1859, they revolted and killed him, establishing their own independent kingdoms.[6] These kingdoms would later be subject to Egyptian rule in the late 19th century, regaining independence briefly after the Mahdist takeover of Sudan until their colonization in 1892 by the Congo Free State.[7]

References

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  1. ^ "Mangbetu, Amangbetu in Congo, Democratic Republic of | Joshua Project".
  2. ^ "Sale Results, New York; Sale N08132 African & Oceanic Art" (PDF). 2005-11-05. Archived from the original (PDF) on 2007-09-29.
  3. ^ L'orchestre Mangbetu (1954), IMDB.com
  4. ^ Vansina, Jan M. (22 October 1990). Paths in the Rainforests: Toward a History of Political Tradition in Equatorial Africa. ISBN 9780299125738.
  5. ^ Mangbetu People Archived 2009-03-05 at the Wayback Machine. Uiowa.edu (1998-11-03). Retrieved on 2010-12-08.
  6. ^ "Mangbetu | Encyclopedia.com". www.encyclopedia.com. Retrieved 2024-07-15.
  7. ^ Samuel, isaac. "Kingdoms at the forest's edge: a history of Mangbetu (ca. 1750-1895)". www.africanhistoryextra.com. Retrieved 2024-07-15.

Further reading

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  • Christopher Ehret, The Civilizations of Africa: A History to 1800 (University of Virginia Press, 2002), 436–438.
  • Curtis A. Keim, Mistaking Africa: Curiosities and Inventions of the American Mind (Basic Civitas Books, 1999), 42–43, 92–93.
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